Travel Inspiration

Interview with Jean-Francois Rial

Published 27th Apr. 2026

Written by Tom Barber

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Meet Jean-Francois Rial, CEO of Voyageurs du Monde – the French tour operator that’s been Original Travel’s parent company since 2017. A passionate advocate for sustainable travel, he’s been proposing ways for the industry to play its part in protecting the planet. Off the clock, he also runs an organic vegetable farm in France’s Orne region, proving that even CEOs can get their hands dirty. Intrigued by the people shaping the future of travel? Read on for Tom Barber’s interview with Jean-Francois to discover his insights on travel, sustainability and life beyond the office… 

Interview with Tom Barber, Co-Founder of Original Travel 

What is the origin story behind Voyageurs du Monde? 

In 1992, I spent a month alone in the Algerian Sahara, exploring places like Tassili n’Ajjer, home to extraordinary prehistoric cave art, and the amazing rock formations of Tin Akachaker. I felt such a profound aesthetic and spiritual shock that I decided to change my life. When I returned to Paris, I left finance to take over the small travel company Deserts and then, in 1996, Voyageurs du Monde, with four friends, Alain Capestan, Lionel Habasque, Frederic Moulin and Loic Minivielle, who are still the core management of the company.  

30 years later, how would you describe the essence of Voyageurs du Monde? 

At the heart of everything we do is a simple belief: help our clients truly understand a destination. We offer maximum authenticity, shaped entirely around their interests. This approach reflects the core values of Voyageurs du Monde and, of course, Original Travel – especially our refusal to deal in clichés. That spirit filters through everything, from how we develop new destinations to how we think about our services, sustainability and storytelling. Speaking of stories, our Assouline coffee table book is coming out this year to celebrate our 30th anniversary.  

An Interview with Jean-Francois Rial

Image by Boby

Please share the story of how you invested in Original Travel. What did you see in us? 

It’s very simple. We were looking to expand into the English-speaking market, starting with the UK. After researching all the British tour operators, Original Travel immediately stood out as the one that most resembled us. With its strong sense of aesthetics, attention to detail and personalisation, there was no doubt that we spoke the same language.  

As a former magazine journalist, I have always appreciated your focus on the aesthetic side of travel. 

Our aesthetics are designed to reveal the truth about a country. Plato said ‘beauty is the splendour of a truth’, and I believe the purpose of beauty is to illuminate truth and reveal deeper realities. I remain convinced that beauty is not subjective, but universal: for instance, everyone agrees that sunrise over the Nile is beautiful.  

As someone who has had the great pleasure of seeing a sunrise from our flagship, Steam Ship Sudan, I completely agree with that. In all my travels, that cruise is one of the most memorable experiences I have ever had. Tell us the story of how you found her. 

In 2001, Alain and I were wandering along the quayside in Cairo when we came across a dilapidated ship. You could see a faded name on her hull: Sudan. We soon discovered that this was the last surviving Thomas Cook paddle-steamer from the Belle Epoque of Nile travel and the very boat on which Agatha Christie sailed before writing Death on the Nile. This was the beginning of an extraordinary 15-year restoration project to bring the boat back to life.  

This wild gamble turned out to be a success because its guiding principle was love, not profit. To me, this vessel has irreplaceable emotional value, because the project was guided by my father, Odilo, together with people who are very dear to me: Christine, Nathalie, Alain, Amir, Fabien, Phillipe. A ‘crew’ whose efforts are still writing the story of the SS Sudan today.  

Steam Ship Sudan

Image by boby

You mention the efforts to make the Sudan more sustainable, and the subject is clearly close to your heart, but as people who work in the travel industry, can we really justify encouraging our clients to fly around the world? 

My answer is a firm ‘yes’. To consider banning air travel or restricting its use would be a serious denial of democracy. Conversely, doing nothing about CO₂ emissions related to air transport as a whole – on the pretext that other activities represent as a much worse factor in global warming – is just as absurd. I support a blend of solutions.  

Such as? 

The switch to synthetic fuels proposed by various airlines. Not hydrogen or biofuels, because neither is ready yet, but a mixture of green hydrogen and CO₂ which has the technical advantage that it can be used by existing planes, without modification.  

And what does our group do differently regarding sustainability? 

Our commitment plays out on two fronts. First, we reduce the carbon footprint of our passengers and staff – we always recommend trains when they are a realistic alternative to planes, especially in Europe. For flights, we developed a carbon calculator that compares emissions, using data such as flight plans, target occupancy rate and aircraft type. Compared to a seemingly identical flight, the difference in emissions can be as much as 50 per cent, so we calculate and present them to our clients.  

In destination, we provide electric vehicles where possible and favour small hotels with responsible environmental and social policies. At Satyagraha House, our lodge in Johannesburg that was once home to Gandhi, 50 per cent of electricity consumption is provided by solar installation. Our two boats on the Nile – Flaneuse du Nil and Steam Ship Sudan – have undergone major technological transformations to reduce energy consumption. The Flaneuse now has 50 solar panels and an ingenious system powered by recycled EV batteries to optimise energy use, while the Sudan’s solar panels and new generators have cut fuel use fourfold since 2001. 

South Africa

Image by Paloma Saint-Léger

What is the second approach you mentioned? 

Our aim is to offset all carbon emissions from client and staff travel through reforestation projects. We’ve now achieved 100 per cent absorption and want to go further. Despite residual scepticism, tree planting remains highly effective. Mangroves are especially beneficial, absorbing carbon, desalinating soil, increasing biodiversity and supporting local fishing industries. The projects are controlled by independent auditors in South America, India and Indonesia via our Foundation. Sadly, the IPCC’s global objectives to limit climate rise, even by two degrees, will not be met, so we must accelerate our reductions in CO₂ emissions. I propose planting 180 billion trees worldwide over ten years, which would make it possible to ‘buy time’ and to keep targets achievable.  

This is the subject of your new book, Defy Climate Chaos, co-authored with Matthieu Belloir, right? 

Indeed. My firm conviction – and I’m not saying that it will be simple – is that planting billions of trees is the only realistic solution. Professor Tom Crowther, from the Zurich Institute of Technology, calculated that we could plant 900 billion trees without affecting farmland or human activity. What we propose in my book is to ‘only’ plant 180 billion trees. Even so, we must cut greenhouse emissions, aiming for carbon neutrality by 2075 and keeping the +2ºC Paris Agreement target. I know this vision will be seen as utopian, but we need to deal in solutions! 

What next? 

The book is designed to start the conversation. I would like to see current and former heads of state take charge of the project, which would be managed by a private structure coordinating with nations, NGOs, companies and wealthy individuals. Airlines must show how they reduce their footprint and not yield to critics who attack action while doing nothing! We must defend the global position we propose. 

An English edition of Jean-Francios’s new book, Defy Climate Chaos, is out now.  

Steam Ship Sudan

Image by Pie Aerts

Header Image by Boby

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